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Candombe pa 'la Lia

Suzanne Brooks, Sergio Ortuño & Eddie Encarnacion

Uruguay is taking a process of cultural appropriation from different ethnic groups of African descent who has taken a boom in the last 20 years.

1-The generation of today ECMA triangulation kultural Candombe School is the first training school for African education particularly in the musicality of Candombe and expressions of percussion.

2-ECMA Secondly identified the need to save the memory through cultural artistic of musical recording artists high legitimacy Afro-Uruguayan population had not the same opportunities surrounding society as a whole saved yet part of the rich legacy of their ancestors, recreated through singing, music and dance.

As a result the recording was made of black music Cd Montevideo Vol. 1, supported by FONAM (May-June 2001) recorded and mixed at Studio of Gordon by Mr. Luis Restuccia.

The CD was declared of National Tourist Interest by the Ministry of tourism, Mañas 2447-2.

3-In third place was the need for the generation of knowledge that reflect the vision of culture and process more recent the Afro-Uruguayans from the national process so as Kultural triangulation in terms of the inexorable link with the African continent. Resulted in the publication "The Drum and Voices" where Sergio Ortuño conveys his vision on the Location of the Afro-Uruguayan culture in the national context, its marginality as an expression of discrimination on racial grounds and thus as an element of resistance from them. Raising a strong criticism of the system exclusive to the forms of resilience that have enabled strategically find the preservation and defense of traditional values, so also in this preparation Candombe pa 'la Lia.

Driving impressions of different farmers and actors committed to the validity of such expressions, this heap of joint actions and results the necessary proposal whose overall objective is:

SET GENERATION OF LOCAL AREAS

ALLOW THE PRESERVATION, PROMOTION AND DEVELOPMENT DE LA

CULTURA AFROURUGUAYA COMO HERRAMIENTA DE INTEGRACIÓN

SOCIAL Y CULTURAL

http://www.cdbaby.com/cd/suzannebrooks8

Suzanne Brooks, singer/songwriter, bandleader of The Jazz Generation; also writer with new books being released in 2011 in nonfiction and poetry. Her shows, "Great Women of Jazz, 1890 to 1990" and "I Believe I Can Fly" which featured 112 year old Mother Ruby Muhammad reciting poems and stories, was widely publicised and acclaimed across the country.

Sergio Ortuño, master drummer and Director of the Candombe Drum School in Montevideo-Canelones, Uruguay. Also author of a majjor book on Candombe, publicized in Uruguay, US, France and Senegal. Has recorded widely with other bands in Uruguay and other areas in Latin America and the US.

Eddie Encarnacion, remarkable bassist, guitarrist, and composer who has collaborated with Sergio on a variety of musical projects and directs his own studio.